Condemned to Repeat the Past, Part One

Those who cannot remember the past are condemned to repeat it.

—George Santayana, The Life of Reason (1905)

Edvard Munch did a series of self-portraits as he was recovering from the 1918 Spanish Flu.

Famous painters who died of the flu included Egon Schiele and Gustave Klimt.

I think of George Santayana’s aphorism often when I think of the Spanish Flu pandemic of 1918 (the “forgotten pandemic”).
When the office I worked in shut down (in March of 2020) because of COVID, and higher-ups asked employees to all work from home, I also recalled John M. Barry’s The Great Influenza, Gina Kolata’s Flu, and Laurie Garrett’s The Coming Plague—all books that I’ve read over the years. 

Conspiracy theorist Alan Krumwiede (Jude Law) wears his homemade hazmat suit, and places an anti-vaccine flyer on a car, in 2011’s Contagion.

Those books were all in my “disease library” because I’m “somewhat obsessed” with epidemics, pandemics, viruses, plagues, and diseases.
Part of this obsession is due to my Sicilian grandmother (Maria) dying, at the age of 22, in October of 1918 from the Spanish Flu.
She died in a tiny Chicago apartment with my eleven-month-old father, and his 27-month-old toddler brother, nearby in a crib.
No one is sure where my grandfather had wandered; but (according to family lore) my great-uncle (Sam), discovered his dying, pregnant sister-in-law during a wellness check.
In doing so, he likely saved his two nephews from starvation and death.

The 1996-1997 TV show The Burning Zone , which combined epidemics with X-Files-style conspiracies, only lasted 19 episodes, but I was riveted by every episode.

It starred from left to right, Agent Michael Hailey (James Black), Dr. Kimberly Shiroma (Tamlyn Tomita), Dr. Daniel Cassian (Michael Harris) and Dr. Edward Marcase (Jeffrey Dean Morgan). 

I just finished other, more recent, books on this macabre subject—Catharine Arnold’s Pandemic 1918, and Jaime Breitnauer’s The Spanish Flu Epidemic and its Influence on History.

These two books come at the subject from a more personal angle than the scientific perspectives of the books mentioned above—emphasizing the lives, and deaths, of the victims.

Until I read these books, I didn’t realize how much my Dad and Anthony Burgess (the famed British author of the novel A Clockwork Orange), had in common.
His young mother (Elizabeth) was found dead of the Spanish Flu, with her dead eight-year-old daughter in her arms, and her 21-month-year-old son (Anthony Burgess) playing nearby.
(The Spanish Flu, and COVID-19, have in common that they produced a high number of orphans.) 

The Spanish Flu and COVID-19 have several other issues in common.
Both caused death all over the globe, and had significant impacts on the global economy.
The commonly-held belief is that the 2018 Spanish Flu killed 50 million people, but according to Pandemic 1918, “Spanish Flu killed upwards of 100 million souls during 1918-19,” and the true figures are unrecorded.

According to the World Health Organization, there have been nearly seven million deaths, so far, due to COVID-19. 

Elegant mask-wearers in 1918 London. 

Both pandemics ignited public debates over the wearing of masks, and the “mask lesson” was ignored in 2020.
In 1918-19, countries and states created mask laws, so that people could make this minor sacrifice for the collective good.

A streetcar conductor refuses to allow an unmasked rider on board in 1918 San Francisco.

San Francisco, California, was a hotbed of debate in this regard.
According to Pandemic 1918, a San Francisco attorney fought the strict mask ordinance, arguing that it was “absolutely unconstitutional.”
(Enthusiastic policemen had filled the San Francisco city jails with unmasked scofflaws, and arrested 110 people on October 27th, 1918 alone!)
According to Nightmare Scenario: Inside the Trump Administration’s Response to the Pandemic That Changed History (by Yasmeen Abutaleb and Damian Paletta), Trump, and his Chief of Staff Mark Meadows, “were adamantly opposed to actively promoting the use of masks, and face coverings began turning into a partisan Rorschach test of whether you were with Trump or against him.”
While some people refused to wear masks in 1918, it was never politicalized as it was in 2020-2023.

President Woodrow, the president in 1918, and President Trump were both flu victims, and they both came very close to death.
However, both presidents also downplayed their respective pandemics, and politicized their responses.
According to Nightmare Scenario, Wilson’s “dishonesty about the scope of the outbreak led to more sickness and more death.”
According to Abutaleb and Paletta, Trump’s lack of empathy,* worry about his “tough guy” image, and thinking mainly about economics also led to unnecessary deaths.
Although the U.S. developed superior vaccines—and produced them more quickly—the U.S. had a higher death rate than Britain, Germany, Canada, Japan, and many other industrialized nations.

Americans were encouraged to “Eat More Onions” to keep Spanish Flu at bay.

During both pandemics, there was confusion as to possible treatments.
When New York doctors placed children with Spanish Flu on the Roosevelt hospital roof (to get the benefit of fresh air), the general public called it “outrageous.”
In 1918, British doctors used potassium permanganate (a general disinfectant) on public schoolboys to treat flu.
In 2020, Trump grasped at straws, and touted the old anti-malaria drug hydroxychloroquine, and the Ebola drug Remdesivir, as “magic” cures, before either drug could be vetted for the new off-brand use.
Hydroxychloroquine turned out to be not useful at all!

We’ve all heard of “long COVID.”
While people can get “long COVID” after having either mild COVID symptoms, or severe COVID symptoms, people who recovered from a bad case of the Spanish Flu (like President Woodrow Wilson) “were sometimes left with a lifetime’s legacy of nervous conditions, heart problems, lethargy and depression.”
(Pandemic 2018, by Catharine Arnold.)
“Long Spanish Flu” and “long COVID” sound very similar to laymen ears.

We still aren’t certain of the identity of “Patient Zero” for the Spanish Flu, or COVID-19.
According to 2004’s The Great Influenza, the 1918 “Patient Zero” was an U.S. army cook who died in Haskell County, Kansas, in early 1918.
However, Pandemic 1918 (published in 2018) places Patient Zero a year earlier, naming Private Harry Underdown—an English soldier who died in France, on February 21st, 1917.
As to the location of COVID-19’s start, our government places COVID’s transmission from animal (a bat?) to a human in Wuhan, China—either in a “wet” market, or in a lab.
However, in April of 2020, the deputy director of the Chinese Ministry of Foreign Affairs (Zhao Lijian) taunted President Trump, alleging that the virus “might have” originated in an American soldier who traveled to Wuhan. 

The comic No Ordinary Flu, produced in 2006 by King County in Seattle, Washington

You can read the entire comic HERE.

Essentially, the U.S. had over one hundred years to prepare for another pandemic and while the Clinton, Bush, and Obama administrations all wrote playbooks, and published white papers, the threat wasn’t given nearly the budget that it warranted.
The horrors of the 1918 Spanish Flu pandemic weren’t mentioned in school textbooks, or even covered well in medical textbooks.
The world decided to forget the lessons from the “greatest medical holocaust in modern history”—part of the U.S. edition subtitle for Catharine Arnold’s Pandemic 1918—and paid the price in 2020-2023.

This is Part One of my article comparing the 1918 Spanish Flu to the COVID-19 pandemic.

This part deals with the similarities between the two pandemics.

Part Two, next week, will deal with the differences.

*President Trump seemed to exhibit little empathy for COVID-19 victims. This is odd because his grandfather, Frederick Trump, died of the Spanish Flu in late May of 1918. According to Trump biographer Gwenda Blair, Frederick was out walking with his 12-year-old son Fred (Trump’s father) when he suddenly felt ill and was rushed home to bed. He died soon after.

A Shrine to Nativism or to Democracy?

In high school, in the Midwest, I learned about the concept of Manifest Destiny.
This was the idea that White Americans were ordained, by God, to settle the entire continent “from sea to shining sea.”
The concept of Manifest Destiny was tied in with the idea of “American Exceptionalism,” the genocide of indigenous people, and the rejection of Native American rights.
Since Mount Rushmore was imagined by its’ sculptor (Gutzon Borghum) as about the expansion of America, one way to think about it is as a shrine to Manifest Destiny.

Originally, Red Cloud was going to be immortalized on another North Dakota mountain.

Instead, Mount Rushmore was built by sculptor Gutzon Borghum.

Borghum was a proponent of nativism who believed in strict controls on immigration.

Honoring U.S. presidents was NOT the original concept for building a giant monument in North Dakota.
Moreover, the four presidents weren’t selected based on their thoughts on Democracy.
According to an article “75 Surprising Facts About Mount Rushmore” (by Dylan Mancy), the original idea was to sculpt images of “Oglala Lakota leader Red Cloud, explorers Lewis and Clark, and Buffalo Bill Cody.”
This concept would have made it a monument to both Native Americans, and to U.S. expansion—an exceedingly contrary proposal indeed!
However, it would have been more in harmony with what the Lakota (also known as the Teton Sioux) called Mount Rushmore.
The Lakota called Rushmore the “Six Grandfathers.”

As far as I can tell, the main person who selected the four presidents for Mount Rushmore was the sculptor, Gutzon Borghum.
His idea was to pay homage to presidents who had contributed greatly to the “founding, expansion, preservation, and unification of the country.”
George Washington represented the founding.
Thomas Jefferson represented expansion—through the Louisiana Purchase.
Teddy Roosevelt represented preservation and economic growth.
Finally, Abraham Lincoln represented unification.

In Alfred Hitchcock: The Legacy of Victorianism, Paula Marantz Cohen, discusses how the chase in 1959’s North by Northwest (starring Cary Grant and Eva Marie Saint) “dramatizes the puny but heroic efforts of individuals to stand up against institutional pressures.”

It’s interesting that President James K. Polk is not immortalized on Mount Rushmore, especially since Polk was the president most closely allied with U.S. expansion.
However, Teddy Roosevelt was associated with the West as a naturalist, hunter, and conservationist; helped build the Panama Canal; as well as a close personal friend of the sculptor.

Another interesting fact (that I learned in “75 Surprising Facts About Mount Rushmore”) was that Mount Rushmore was named after Mr. Charles E. Rushmore—an obscure New York lawyer who surveyed gold claims in North Dakota, in 1885.
(His guides incorrectly assumed that the mountain had no name.)
How odd to name such a large mountain after such a minor official!

Sculptor Gutzon Borgham,* the creator of Mount Rushmore, was born in 1867, in the Idaho Territory.
His father immigrated from Denmark and his mother was the child of Danish immigrants.
According to Wikipedia, Borgham was a child of Morman polygamy.
At one time, his father (Jen) was married to both Borgham’s mother (Christina), and to her sister Ida.
(However, Jen Borgham eventually divorced Gutzon’s mother, stayed with Ida, and left the Morman Church.)

In 2004’s Team America: World Police, the counter-terrorism force (Team America) used Mount Rushmore as a home base.

After attending preparatory schools in Kansas and Nebraska, Borgham moved to New York City where he sculpted religious figures for the Cathedral of St. John the Divine.
By age 40, one of his sculptures was accepted by the Metropolitan Museum of Art, and he was on his way to success and fame.
Over the years, Borgham became more and more fascinated with themes of American patriotism and heroic nationalism.

Now we come to the subjects of nationalism and nativism.
Nativism is a belief system in which “non-natives” are threatening, and only the “true natives” in a country are considered acceptable citizens.
This idea might seem an odd concept in a “melting pot” land in which everyone is an immigrant or descended from immigrants—except, of course, Native Americans.
However, somehow many White Northern European Protestants have come to assume that only they are “true Americans,” and everyone else is an unfit interloper.

Imagining only people of Northern European heritage, as “real” Americans doesn’t make a lot of sense.
Between 3.8 to 7 million Native Americans lived in North America before the arrival of Columbus.
The ancestors of Black Americans were kidnapped, and forcibly kept here as slaves, beginning in 1640.
Their labor made millions for their captors.
Immigrants have toiled on U.S. soil from all over the world.

Chinese men built the railroads.
The ancestors of people of Hispanic descent (like Eva Longoria) raised cattle, and grew crops, on the Northern side of the Rio Grande long before the U.S. was a country.
Yet, somehow indigenous peoples, Black people, Southern European people, Jews, and Catholics are considered “non-natives?”
How does that work?

Front page of the Treasure Chest comic book story “The Shrine of Democracy.”

Instead of portraying Mount Rushmore as a shrine to nativism, this story portrayed the monument as a shrine to Democracy.

Today, Mount Rushmore is known as a monument to a system of government and to great presidents.
On June 14, 2023, a Naturalization ceremony was held in which more than 200 citizens from over 60 countries were welcomed.
The Mount Rushmore site has links for 21 associated Native American tribal nations, and proclaims that the Federal Government consults and coordinates with those tribal nations.
One wonders how Gutzon Borghum would have reacted to this turn around.

* Twelve years before Borgum worked on Mount Rushmore, he created mock-ups for Stone Mountain in Georgia. A 38-minute documentary Monument: the Untold Story of Stone Mountain (by the Atlantic History Museum), covers Borghum being fired from that project, as well as Stone Mountain’s history with the KKK. (You can watch the complete video HERE.)